Barb Schwenk
Player: Amélie Isoz
Themes: peace, fairness, internal struggle, division, conflict of interest
Always seemingly in opposition to their younger sibling, Barb never had quite the material luck or the education. What they did have was a deep empathy for the people around them. They could get a reasonably cushy job in the workshop, but instead, they insisted on toiling with the rank-and-file. The truth is that they would barely make ends meet without the support of their sibling. Despite their background, they cultivated many friendships and close relationships with their fellow workers, and they have tried to lobby for fairer conditions from their position as a well-respected old-guard unionist. They are not afraid to get in a fight, but despite that, they believe that everyone can just get along in peace in the end.
Recently, though, the younger, more radical guard have stopped being satisfied with Barb’s approach of dialogue but no dramatic action, pushing more strongly against the owners. While Barb may get their hands dirty with the poor and talk big, their family ties might still make them one of the bourgeoisie. What is even more difficult is that Barb has been cooperating with the Local Union Branch for years. The Union Branch that is quite clearly little more than an organised crime racket.